TODAY: In 1874, Charles Fort is born.  

• Elizabeth Cook examines the futures of small presses after the federal government’s “uncertainty, disrespect, and bullying” around NEA grants. | Lit Hub Politics
• Khadijah Queen recalls the calm and stormy waters of writing poetry aboard a navel destroyer. | Lit Hub Memoir
• “Yet those who grew up in Palestine remember this dish not with pity, but with deep affection as a flavor of comfort and a taste of home.” Sami Tamimi shares a modern take on Palestinian couscous fritters. | Lit Hub Food
• Vanessa Roveto recommends books for lovers of Lynch’s Mulholland Drive by Marguerite Duras, Leslie Scalapino, Joyelle McSweeney, and more. | Lit Hub Reading Lists
• “In a broken world, Harold believed in that endless love.” Chronicling the horror and aftermath of the 1985 Georgia Church Murders. | Lit Hub History
• Read “Black History Minute,” a poem by Harryette Mullen from the collection Regaining Unconsciousness. | Lit Hub Poetry
• How linguistic archeologists link humanity through the shared origins of modern languages: “I find all this oddly comforting, the way these connections reveal how others before us have puzzled over their own experiences and tried their best to make sense of them.”  | Lit Hub History
• “Girlie was, by every conceivable metric, one of the very best.” Read from Elaine Castillo’s new novel, Moderation. | Lit Hub Fiction
• “We can hardly make sense of the idea of the end of the world without attending to all the other worlds that ended before our own.” Roy Scranton considers life in a perpetual apocalypse. | The Baffler
• Niela Orr profiles Jamaica Kincaid, self-described “amateur writer.” | The New York Times Magazine
• Tao Lin shares parts of his college diary. | The Paris Review
• Sarah Brouillette considers Emma Cline’s resistance to trauma writing: “The trauma plot and the slut-shaming dossier are actually parallel formations, reveals The Guest.” | Public Books
• “Good Mrs. Shakspaire, I beseech you to consider of the business [that] was left in trust [to] your husband by Mrs. Butts for the children.” Charles Nicholl examines what is (maybe) Anne Hathaway’s first known correspondence. | New York Review of Books
• On the largely forgotten art of crafting artificial eyes. | The MIT Press Reader

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