Bridgerton Collection: Volume 1

An enchanting collection containing the first three novels in New York Times bestselling author Julia Quinn’s beloved Bridgerton series set in Regency England—The Duke and I, The Viscount Who Loved Me, and An Offer from a Gentleman—now a series created by Shondaland for Netflix.

The Duke and I
When Daphne Bridgerton and Simon Basset, Duke of Hastings, agree to a fake courtship, they think they’ve found the perfect solution to their problems. Romantically associated with one of London’s most desirable catches, Daphne’s prospects among the ton will soar. For avowed bachelor Simon, an attachment to Daphne will deter would-be brides and their ambitious mamas. Their plan works like a charm—at first. But amid the glittering, gossipy, cut-throat world of London’s elite, there is only one certainty: love ignores every rule. . .

The Viscount Who Loved Me
London’s most elusive bachelor, Anthony Bridgerton is determined to wed. But one obstacle stands in his way—his intended’s older sister, Kate Sheffield, who is driving Anthony mad with her determination to stop the betrothal. Kate is quite sure that reformed rakes do not make the best husbands, and Anthony Bridgerton is the most wicked rogue of them all. She’s determined to protect her sister—even as she fears she may not be able to resist the reprehensible and oh so desirable rake herself . . .

An Offer from a Gentleman
Sophie Beckett never dreamed she’d be able to sneak into Lady Bridgerton’s famed masquerade ball—or that she would be spinning in the arms of her “Prince Charming”—the debonair and devastatingly handsome Benedict Bridgerton. But when the clock strikes midnight, Sophie’s enchanting evening ends. Since that night Benedict has been able to think of nothing but the bewitching young woman, and he’s sworn to find and wed his mystery miss. Yet will another unexpectedly steal his heart—and his chance for a fairy tale love?

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Starter Villain

Inheriting your uncle’s supervillain business is more complicated than you might think. Particularly when you discover who’s running the place.

Charlie’s life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan.

Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie.

But becoming a supervillain isn’t all giant laser death rays and lava pits. Jake had enemies, and now they’re coming after Charlie. His uncle might have been a stand-up, old-fashioned kind of villain, but these are the real thing: rich, soulless predators backed by multinational corporations and venture capital.

It’s up to Charlie to win the war his uncle started against a league of supervillains. But with unionized dolphins, hyper-intelligent talking spy cats, and a terrifying henchperson at his side, going bad is starting to look pretty good.

In a dog-eat-dog world…be a cat.

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Finding Mr. Write

#1 New York Times bestselling author Kelley Armstrong delivers a fun romantic comedy about a woman writing under a male pseudonym and the man she hires to play the role in public.

Daphne McFadden already knows that as a female author, the cards are stacked against her. Now she knows just how much. Because her sudden whim to pose as an “outdoorsy hunk of masculinity” male author for her new book just resulted in the unthinkable: a bidding war, a huge book deal, and the kind of fame every author dreams of. Now she’s in big trouble. Because she needs to convince the world that Zane Remington actually exists . . . but how?

By hiring an actor, of course.

Only Chris Stanton is not an actor—not officially. He’s used to balancing the books, not pretending he wrote one. Still, he’s mostly certain he can pose as some overly macho bro-author. But when the media descend on Daphne’s gorgeous remote home in the Yukon, it’s not enough for Chris to just be the face of Zane Remington—he’ll have to become him. All while hilariously balancing the terrifying dangers of the wilderness, a massive femme fandom, and a serious crush on Daphne. But as the hype circus gets more out of control, it’s just a matter of time before someone discovers their little write lie . . .

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Hide

The spend a week hiding in an abandoned amusement park and don’t get caught.

The enough money to change everything.

Even though everyone is desperate to win—to seize their dream futures or escape their haunting pasts—Mack feels sure that she can beat her competitors. All she has to do is hide, and she’s an expert at that.

It’s the reason she’s alive, and her family isn’t.

But as the people around her begin disappearing one by one, Mack realizes this competition is more sinister than even she imagined, and that together might be the only way to survive.

Fourteen competitors. Seven days. Everywhere to hide, but nowhere to run.

Come out, come out, wherever you are.

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